Beyond Delirious, Phillips selected photographs that address various architectural themes, by artists representing a wide range of generations, conceptual approaches, and —notably— cultural heritages

Embracing a wide array of mediums, ranging from video, drawing, installation, photography and mixed media, this catalogue includes an exciting group of international emerging and established artists.

It proposes a playful, imaginative, curious and unexpected approach to objects used in daily life and presents work by international, emerging, and established artists from different generations in various media, ranging from the monumental to the intimate.

Conceptualist Practices' articulates a number of geographical and chronological crossroads that underline the role of the artist as a historian who deploys institutional critique (frames) and who questions the means of recording memory (documents).

Was an ongoing meditation on the idea of government as it relates to individuality and power in the modern world.

This publication brings together contrasting images and bodies of work that examine space and form from within and without, overturning preconceptions about the potential of the photographic medium.

Featuring sculpture, painting, photography, video, installation and performance art from 1960 to the present

Geometric abstraction found its most dynamic, sensual and enduring expression in Latin America. 

A leading artist of her generation, Tacita Dean (b. 1965) has worked in a wide range of media but is best known for her works in film and sound.

This catalogue was produced on the occasion of the exhibition “The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection.” 

"The Sites of Latin America” intends to explore a rarely addressed aspect of Latin American abstract art

This catalogue was published on the occasion of “Unsaid/Spoken,” 

This exhibition includes 105 pieced by 88 artists from different generations and latitudes, who share their interpretations and philosophies of abstraction.

This catalog accompanies the first solo exhibition in the United States of Cuban artist, Gustavo Pérez Monzón

The book is illustrated with more than 50 photographs in color presented with texts and statements from the artists in the exhibition.

Through research and critique, the publication establishes a meaningful dialogue that demystifies the preconceived narratives that have characterized Cuban art during the Revolution. 

A selection of over 200 images of artwork created for CIFO's Grants & Commissions Program throughout the last 15 years allows the reader to join the authors in interrogating the systems at play in our complex and at times perplexing contemporary environment.