Amor Muñoz, Notes & Folds, 2019. Sound Installation. Google Arts&Culture. Photo by Leo Cannone
CIFO-Ars Electronica Awards
Linz, Austria | Fall 2022
MIAMI and LINZ, Austria—Five artists from across Latin America have been selected for the inaugural CIFO-Ars Electronica Awards: Dora Bartilotti, Electrobiota Collective, Thessia Machado, Amor Muñoz, and Ana Elena Tejera. Launched this year by Cisneros Fontanals Art Foundation (CIFO) and Ars Electronica, the awards advance the practices of emerging and mid-career Latin American artists working with technology in the field of new media and digital art, providing up to $30,000 per recipient to develop a major new commission. In addition to joining CIFO’s renowned permanent collection of Latin American art, the resulting works will be presented in an exhibition as part of the Ars Electronica Festival, the major international platform for the intersection of arts, technology, and society, at the Lentos Art Museum, in Linz, Austria, from September 7 to 29, 2022.
An advisory committee of more than 50 leading scholars, curators, and artists from approximately 20 countries nominated Latin American artists to apply, regardless of their country of residency. From more than 160 applicants, the five award recipients were chosen by a selection committee of curators and scholars in contemporary art and new media: Tania Aedo, Coordinator of the Department of Art and Technology at National Autonomous University of Mexico; Christl Baur, Head of the Ars Electronica Festival; Sergio Fontanella, Director of Operations and Collections at CIFO; Martin Honzik, CCO and Managing Director of Ars Electronica Festival, Prix, and Exhibitions; and Hemma Schmutz, Director of the Lentos Art Museum, Austria.
Amor Muñoz (Mexico) works across textiles, performance, drawing, sound, and experimental electronics to explore the relationship between technology and society, with a special interest in the interaction between material forms and social discourse. Her new commission will explore biological processes such as circulation and breathing, synthesizing them in a biotechnical exploration of the relationship between technology and our everyday lives.
Dora Bartilotti (Mexico) is a feminist, multimedia artist focused on generating critical dialogues between art, design, pedagogy, and technology in order to catalyze conversations about possible forms of organization, intervention, and micropolitical action in public space. For her commission, the artist will continue current research exploring new media and electronic textiles as creative mechanisms for feminist activism. The resulting work, ¿La has visto...? (Have You Seen Her?), will be a participatory electronic art piece that seeks to generate a poetic gesture of search, as well as a collective demand to find the missing women who are victims of forced disappearance in Mexico.
Thessia Machado (Brazil, based in United States) is a visual/sound artist, instrument builder, and performer whose work plumbs the materiality of sound and its effect on our shifting perceptions of space. She creates circumstances in which to mine the matter of her pieces for their innate physical properties and the sonic and visual relationships that can arise from their interactions. For her new commission, she will create a sound and light installation, featuring two wall-mounted, light-sensitive string instruments controlled by the light levels of a video projection. The architecture of the surrounding space functions as the resonating body, singing through its structure and filling the space with a composition of evolving drones. Machado’s sculptures, drawings, and sound installations have been exhibited at major institutions across the U.S. and Europe, including The Drawing Center, Museo del Barrio, and BRIC Arts.
Ana Elena Tejera (Panama, based in France) is a multidisciplinary artist working in cinema and performance. Her films, interactive performances, and other interdisciplinary works have been presented across Panama, the United States, and Europe. Her first feature film, as well as her first film in virtual reality, were both recognized by the Rotterdam International Film Festival. For her commission, the artist will create an AI computer whose education will be formed through the consumption of school class manuals, archives, and photographs from The School of the Americas in Panama, thus mimicking a “military education” based on the concrete elements left over from the school.
Electrobiota Collective (Argentina/Mexico) is a multispecies artist collective founded in 2014 by Mexican transmedia artists Gabriela Munguía and Guadalupe Chávez. Contextualized in Latin American epistemologies and working from multiple approaches, including electronic arts, bioart, environmental humanities, cultural biology, and soil ecologies, they investigate possible interspecies expressions and gestures. The artists coordinate the Rizosferic Laboratory, an experimental education project focused on the environment, art and opensource technologies. For their commission, the artists will develop a tactical and forensic investigation of wetlands in Isla Puente, in Paraná, Entre Ríos, Argentina, based on photogrammetry techniques, and using drones and satellite images to identify wetland areas and study endangered native plant species.
Ars Electronica is a cultural institution, an educational facility, and an R&D lab based in Linz, Austria. Like no other institution, Ars Electronica represents a comprehensive approach in the confrontation with techno-cultural phenomena and enjoys a worldwide reputation for excellence. It is comprised of four divisions: the Ars Electronica Festival, the Prix Ars Electronica, the Ars Electronica Center, and the Ars Electronica Futurelab. These four divisions mutually inspire one another, constituting a circuit of creativity: The FESTIVAL as test environment and the PRIX as competition of the best and brightest—both of them international, artistic, experimental, and focused on the leading edge; the CENTER as year-round presentation & interaction platform—local, educational, and entertaining; and the FUTURELAB as R&D facility—innovative, creative, endowed with strong technical competence and implementation skills, and linked up to a global network of universities and research facilities.
For more information about Ars Electronica and the Ars Electronica Festival, visit ars.electronica.art or follow on Facebook, Instagram, Twitter, YouTube, and LinkedIn.
Cisneros Fontanals Art Foundation
Francesca Kielb / Sophie Weinstein / Barbara Escobar